Utopia was begun while More was an envoy in the Low Countries in May 1515. More started by writing the introduction and the description of the society which would become the second half of the work and on his return to England he wrote the "dialogue of counsel", completing the work in 1516. In the same year, it was printed in Leuven under Erasmus's editorship and after revisions by More it was printed in Basel in November 1518. It was not until 1551, sixteen years after More's execution, that it was first published in England as an English translation by Ralph Robinson. Gilbert Burnet's translation of 1684 is probably the most commonly cited version.
For over sixty years, Winnebago has been an innovator in the recreational vehicle industry, and we’re continuing that tradition with a lifestyle website that celebrates the lively diversity of our company and its customers. Each month, you’ll find new articles, ideas and stories through the eyes of fellow Winnebago owners, and get behind-the-scenes insights from the team who designs our motorhomes and towables.
What happens to those slaves (bondsmen) who helped feed the citizens of Utopia by butchering animals for food and thus suffering the apparent moral consequence of diminished compassion is not stated. Perhaps Utopia uses only slaves gotten from outside the citizenry of Utopia for their necessary killing. Utopia has slaves captured in wars they fought and other "foreigners who have been condemned to death" which the Utopians "acquire [...] sometimes cheaply, more often gratis and take them away." Foreign slaves are kept "constantly at work" and in chains. (95) Utopia also has slaves who entered into slavery by choice. These are "poor, overworked drudges from other nations [...] who chose to be slaves among the Utopians." Such slaves can relinquish their slavery whenever they choose, but in doing so they leave Utopia, although they are not "sent away empty-handed." (96)
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Ursula Le Guin, The Dispossessed. Published in 1974 when the Cold War had become established as a leading theme of much speculative and science fiction, The Dispossessed is a utopian novel about two worlds: one essentially a 1970s United States replete with capitalism and greed, and the other an anarchist society where the concept of personal property is alien to the people. One of the finest examples of the utopian novel produced in the last fifty years.
Thomas More was born in 1478. He succeeded Wolsey as Lord Chancellor of England, but came into conflict with the king, Henry VIII, by refusing to acknowledge him as sole head of the church. Charged with high treason, More steadfastly refused to takean oath impugning the pope's authority or upholding the king's divorce from Catherine of Aragon. He was beheaded in 1535. Paul Turner was educated at Winchester and King's College, Cambridge, and became an Emeritus Fellow of Linacre College, Oxford.
Aldous Huxley's Brave New World (1932) offers a projection of what life on earth might become in another 500 years if technology plays an increasingly dominant role and if government control of all aspects of human activity becomes absolute. Skyscrapers will become taller, factories will become more efficient, travel will be mainly by air, diseases will be virtually eliminated, and universal happiness will be provided through elaborate sports and entertainment programs and through a happiness pill called soma.
A vision shows the player crumble before reaching the destination, but the player chooses to continue the journey into the remains of a once sprawling city at the base of the mountain. Eventually making it safely to the mountain, the traveler begins to climb it, struggling as they enter the colder climates and encounter deep snow and high winds. With the crevice still a fair distance away, the traveler falls and collapses in the snow. Six of the white-robed figures appear before the character and grant the traveler new energy, allowing the player to reach the summit of the mountain and walk into the crevice as the screen fills with white. The player is then shown the game's credits, playing over the ending cinematic scene. This scene shows a shooting star emanating from the crevice and traversing the path the traveler took through the ruins, and shows glimpses of other robed travelers heading towards the mountain. Eventually, the star comes to rest at the sand dune where the game began, and the player is given the option of starting the game again. As the credits end, the player is shown the PlayStation Network IDs of the other travelers who shared part of the trek.
The soundtrack was released as an album on April 10 on iTunes and the PlayStation Network.[33] The album is a collection of the soundtrack's "most important" pieces, arranged by Wintory to stand alone without the context of the player's actions.[28] The album comprises 18 tracks and is over 58 minutes long. It features the voice of Lisbeth Scott for the final track, "I Was Born for This". After its release, the soundtrack reached the top 10 of the iTunes Soundtrack charts in more than 20 countries.[32] It also reached No. 116 on the Billboard sales charts, with over 4000 units sold in its first week after release, the second-highest position of any video game music album to date.[34] The soundtrack was released as a physical album by Sumthing Else Music Works on October 9, 2012.[35] In 2012 Wintory released a download-only album of music on Bandcamp titled Journey Bonus Bundle, which includes variations on themes from Journey and Flow.[36] The soundtrack itself was subsequently released on Bandcamp on June 19, 2013.[37] An album of piano arrangements titled Transfiguration was released on May 1, 2014, on Bandcamp as both a digital and physical album.[38] A two-record vinyl version of the album was released in 2015.[39]
(Singapore) With Indian, Malay, and Chinese influences, the island nation of Singapore has a unique culture that is easily revealed by exploring its various ethnic neighborhoods and exotic local cuisine. This spring, Semester at Sea will be in Singapore during the Chinese New Year and students will be able to observe and participate in the cultural celebrations.
Samuel Butler, Erewhon. This hugely inventive 1872 satire by the author of the anti-Victorian novel The Way of All Flesh is perhaps more accurately described as ‘anti-utopian’, though it follows the utopian narrative structure. The fictional land of Erewhon – almost ‘nowhere’ backwards – is the setting for this novel. Among the things satirised by Butler in this book is the rise of the machines, which Butler argues will evolve at an ever-faster rate – along the lines of Darwinian evolution – until the machines eventually overtake humans.
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