There are several religions on the island: moon-worshipers, sun-worshipers, planet-worshipers, ancestor-worshipers and monotheists, but each is tolerant of the others. Only atheists are despised (but allowed) in Utopia, as they are seen as representing a danger to the state: since they do not believe in any punishment or reward after this life, they have no reason to share the communistic life of Utopia, and will break the laws for their own gain. They are not banished, but are encouraged to talk out their erroneous beliefs with the priests until they are convinced of their error. Raphael says that through his teachings Christianity was beginning to take hold in Utopia. The toleration of all other religious ideas is enshrined in a universal prayer all the Utopians recite.
A serious dilemma presented itself as a result of this newfound devotion to the ancient sages because of the apparent conflict between pagan classicism and Christian doctrine. It became a matter of deepest concern for all Renaissance thinkers to find an accommodation of the two doctrines — the philosophy of Plato and the teachings of Christ. As a result of their dual allegiance, we get the term which describes the movement, "Christian humanism." The successful adaptation of double devotion is seldom better illustrated than in the works of Thomas More, especially in Utopia.
Bergen has reported on al-Qaeda, Afghanistan, Pakistan, counterterrorism, homeland security and countries around the Middle East for a range of American newspapers and magazines. He is a contributing editor at The New Republic and writes a weekly column for He has also written for newspapers and magazines around the world, and he has worked as a correspondent or producer for multiple documentaries that have aired on National Geographic, Discovery and CNN.
In this lecture, Moody will describe the common elements of near-death experiences, as medical doctors in many countries have studied them. Also, he will describe shared death experiences, an identical phenomenon reported by bystanders at the death of some other person. Moody traces debates on these topics back to Plato and Democritus, who argued about whether near-death experiences indicate an afterlife, or just a dying brain. Moody will discuss fascinating new ways of studying such experiences and their relationship to humanity's biggest question: what happens when we die? 

Situated near the southern tip of the African continent, Namibia is a vast land brimming with adventure. The nation itself is quite large- about twice the size of California- but is home to only a little over two million inhabitants. With a low population to land ratio, the nation makes a name for itself with the numerous natural attractions that it has to offer, making it a true haven for lovers of the outdoors Namibia is covered in beautiful desert regions, including the Namib Desert, regarded at one of the oldest in the world, as well as lush countryside, plateau regions, and coastal plains of rolling sand dunes, with a subtropical and arid climate.
A vision shows the player crumble before reaching the destination, but the player chooses to continue the journey into the remains of a once sprawling city at the base of the mountain. Eventually making it safely to the mountain, the traveler begins to climb it, struggling as they enter the colder climates and encounter deep snow and high winds. With the crevice still a fair distance away, the traveler falls and collapses in the snow. Six of the white-robed figures appear before the character and grant the traveler new energy, allowing the player to reach the summit of the mountain and walk into the crevice as the screen fills with white. The player is then shown the game's credits, playing over the ending cinematic scene. This scene shows a shooting star emanating from the crevice and traversing the path the traveler took through the ruins, and shows glimpses of other robed travelers heading towards the mountain. Eventually, the star comes to rest at the sand dune where the game began, and the player is given the option of starting the game again. As the credits end, the player is shown the PlayStation Network IDs of the other travelers who shared part of the trek.
The trailer of " Voyage en Chine " (Trip to China) is undoubtedly attractive : while it displays beautiful views of the Chinese countryside it sets against them the shapeless figure of an aging, limping, more uncomely than ever Yolande Moreau. The effect is that you can't help asking yourself what the Belgian comedian is doing in such an exotic place ? And the title is only half explicit about that, for this trip does not look like a sightseeing one. Well, for more information, there is no other solution than... to go and see the film. Which I did. I then found out what Yolande Moreau was doing in the Middle Kingdom. In the film she is in fact Liliane Rousseau, a fifty-odd-year-old nurse sharing her modest suburban house with a husband she does not seem to particularly care for. One night she learns by phone the death of her twenty-five-year-old son Philippe : the young man has just been killed in a car accident in China, his adopted homeland. Due to administrative complications, the grieving mother brings herself to go to China, in order to try and sort things out of course but also and above all to mourn her only child with dignity. Only she insists on going alone, certainly not in the company of her husband Richard, whom she blames for having misunderstood their son and caused his estrangement from them. And this is precisely what she does, landing first in Shanghai where Philippe lived and then in the province of Sichuan where he had his accident. Speaking a little English (which does not help very much in the countryside) but not a word of Chinese, this journey proves no pleasure cruise. However Liliane, like a brave little soldier, holds on and finally achieves her initiatory voyage - with a little help from local friends naturally. And just while she opens up to China and its people she gets closer to her son, even if it is too late for him. A profound theme combined with the discovery of another civilization, it looks like we are on track for a masterpiece... Unfortunately this is not really the case. The film is pleasant, yes. As expected, you discover many things about China, particularly about rural China, which is rarely shown in fiction cinema, the views are beautiful and Yolande Moreau is great. So, how come you leave the theater vaguely dissatisfied? One explanation may lie in its exceedingly slow pace. Too many scenes last too long and as they are not rich enough in meaning and/or emotions, a distancing effect (unwanted by the director, I suppose) sets in. With the result that instead of translating the meditative mood of his heroine, Zoltan Mayer inoculates a slight dose of boredom in the viewers' brains. A little more dynamic editing and scenes a little richer in content would have helped give "Voyage en Chine " more impact, which it deserved actually. Another weak point is the way the scenes connected with Philippe's death and funeral. Oddly enough, while the general tone of the film is subdued (even a little too much, as I mentioned before), this part of the film is presented in a melodramatic, if not whiny, fashion. An illustration of it is the (inappropriate) way Mayer directs the pretty Chinese actress Qu Jing Jing, who embodies the late son's former fiancée : she expresses grief too conventionally. So, when she finds herself face to Yolande Moreau, it is disturbing to see the former play while the latter lives. But don't get me wrong: even if I dwelt at some length on the film's imperfections these are only reservations. On the whole, as it is, " Voyage en Chine " remains a respectable work, at any rate worth seeing. Simply, it could have been even better. On the other hand, knowing that this is photographer Zoltan Mayer's first feature, such defects are understandable. So, if you feel like a trip to grassroots China, you can try this one. Just do not expect too many thrills and spills.
Looking Backward (1888) by Edward Bellamy, the most successful and influential American author writing in the utopian vein, presents a vision of a glorious future society. Julian West, a young, aristocratic Bostonian, falls asleep under a hypnotic trance in 1887, but through a remarkable set of circumstances, is awakened in the year 2000. His host family in this new age introduces him to their amazing society, explaining their institutions and the rationale for their system.
Each city has not more than 6000 households, each family consisting of between 10 and 16 adults. Thirty households are grouped together and elect a Syphograntus (whom More says is now called a phylarchus). Every ten Syphogranti have an elected Traniborus (more recently called a protophylarchus) ruling over them. The 200 Syphogranti of a city elect a Prince in a secret ballot. The Prince stays for life unless he is deposed or removed for suspicion of tyranny.
Radical changes have transformed England both in appearance and in its social patterns. The new society is structured according to the pattern of ideal communism: no money, no private property, perfect equality for every citizen. Labor is shared by every member of the community. These are all familiar attributes of utopian societies. One of the distinctive features of Morris's plan is that labor is regarded as a pleasure rather than a necessary chore, the reason being that everyone works at a task that he can do best and consequently takes pride in the product of his labor. This essentially Medieval attitude toward the achievement of the workman turns production into something of an art, whether the product is a dish, a meal, a doorknob, or a bridge. The revival of that ancient pattern of individual workmanship has been made possible by the elimination of all but the simplest machinery. Factories have all been destroyed, and the former pattern of urban industrial crowding and squalor has disappeared. Where London used to be there is a collection of scattered villages. The age is described as post-industrial.
The features of Erewhonian society that surprise the author are those that differ from the England that he knew. According to the early impressions of the travelers, the people all appear to be exceptionally healthy, exceedingly handsome, and altogether contented. Their life style is characterized by simplicity and gracious manners, best described as Arcadian. Gradually, however, oddities, or what appear to be oddities to the visitor, begin to surface. Duplicity pervades every aspect of thought and action. The natives habitually profess agreement to a proposition although they do not believe in it, and their friends are perfectly aware that they do not mean what they say. There are two separate banking systems in operation and two sets of religions. The people give lip service to what they call the Musical Banks, but they transact all serious business with the currency of the other chain of banks. Similarly they recognize a group of deities representing the personification of human qualities — justice, hope, love, fear — and erect statues to them; but their pragmatic morality is evidently dictated by a goddess — Ydgrun (Grundy). More and more they reveal themselves to the traveler as victims of self-deception and inverted logic. Their universities are called Colleges of Unreason, and the principal course of study is Hypothetics.
The Millennium: A Comedy of the Year 2000 by Upton Sinclair. A novel in which capitalism finds its zenith with the construction of The Pleasure Palace. During the grand opening of this, an explosion kills everybody in the world except eleven of the people at the Pleasure Palace. The survivors struggle to rebuild their lives by creating a capitalistic society. After that fails, they create a successful utopian society "The Cooperative Commonwealth," and live happily forever after.[28].
“ [A] permanent possibility of selfishness arises from the mere fact of having a self, and not from any accidents of education or ill-treatment. And the weakness of all Utopias is this, that they take the greatest difficulty of man and assume it to be overcome, and then give an elaborate account of the overcoming of the smaller ones. They first assume that no man will want more than his share, and then are very ingenious in explaining whether his share will be delivered by motor-car or balloon. ”
Sir Francis Bacon, New Atlantis. Although he never completed it, this utopian novel by one of the great philosophers of the Elizabethan and Jacobean eras is well worth reading. It was published posthumously in 1627 and outlines a perfect society, Bensalem (its name suggesting Jerusalem) founded on peace, enlightenment, and public spirit. Available in Three Early Modern Utopias Thomas More: Utopia / Francis Bacon: New Atlantis / Henry Neville: The Isle of Pines (Oxford World’s Classics) along with More’s Utopia and another early utopian novel, Henry Neville’s The Isle of Pines.