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Still further afield from sailors' tales of island kingdoms but nevertheless enlightening in the broad study of man's aspirations toward a better world, one may consider some of the more sober expository documents such as: Rousseau's Discourse on the Origins of Inequality and his Social Contract, De Tocqueville's Democracy in America, Carlyle's Past and Present, Karl Marx's The Communist Manifesto, and Engel's "On Authority" from Socialism: Utopian and Scientific.

In December 2014, Gorman received her Master of Arts in History from the University of New Mexico. She is the daughter of the late Dr. Carl Gorman; artist, teacher and one of the original "first twenty-nine" Navajo Code Talkers who devised the initial Navajo code. She is also the youngest sister to the legendary and renowned Navajo artist, the late R.C. Gorman. In 1989, Gorman embarked on a journey to discover that her father had been a Code Talker. With a love of history, her journey has led her through 15 years of in-depth research and interviews. Gorman shares a touching story of young teenage boys seeking adventure and escape. The Code Talker story is the ultimate paradox – a shining achievement for Native America.
On July 21, 2015, Journey was released on the PlayStation Network for the PlayStation 4, ported by United Kingdom studio Tricky Pixels;[22] owners of the digital PlayStation 3 version of the game were able to download the new version for free.[23] The PlayStation 4 version of the game features improved graphics over the original, with a higher resolution and framerate and improved texture quality.[24][25] According to Tricky Pixels, the original PlayStation 3 game was "a masterpiece of PlayStation 3 programming" and porting the game to the PlayStation 4 was "an immense technical challenge".[24]
Aldous Huxley's Brave New World (1932) offers a projection of what life on earth might become in another 500 years if technology plays an increasingly dominant role and if government control of all aspects of human activity becomes absolute. Skyscrapers will become taller, factories will become more efficient, travel will be mainly by air, diseases will be virtually eliminated, and universal happiness will be provided through elaborate sports and entertainment programs and through a happiness pill called soma.

The first book is told from the perspective of More, the narrator, who is introduced by his friend Peter Giles to a fellow traveller named Raphael Hythloday, whose name translates as “expert of nonsense” in Greek. In an amical dialogue with More and Giles, Hythloday expresses strong criticism of then-modern practices in England and other Catholicism-dominated countries, such as the crime of theft being punishable by death, and the over-willingness of kings to start wars (Getty, 321).
The Renaissance age has been styled "this brave new world" by many historians, viewing it as a radically new and brilliant development in Western civilization. That view, however, is not universal, some scholars quarreling with the claim that it was new, representing a great change from the late Middle Ages, and other scholars doubting its brilliance. Debate seems perpetual over the nature and the importance of the Renaissance; nevertheless, it can scarcely be denied that the outlook and the life style of Western people were greatly affected by certain achievements of the period; namely, the invention of printing, the development of gunpowder, and the improvement of navigational instruments and ship designs. Somewhat later than those developments, but still important contributions of the Renaissance, were the Copernican revolution in astronomy and the development of the telescope by Galileo. All of these factors not only produced substantial changes in people's lives, but they also generated a charged atmosphere of excitement and curiosity throughout Europe.
One highly influential interpretation of Utopia is that of intellectual historian Quentin Skinner.[9] He has argued that More was taking part in the Renaissance humanist debate over true nobility, and that he was writing to prove the perfect commonwealth could not occur with private property. Crucially, Skinner sees Raphael Hythlodaeus as embodying the Platonic view that philosophers should not get involved in politics, while the character of More embodies the more pragmatic Ciceronian view. Thus the society Raphael proposes is the ideal More would want. But without communism, which he saw no possibility of occurring, it was wiser to take a more pragmatic view.

Of course! Eponymous founder of the genre; brilliant mixture of satire, political idealism, and obfuscation of the author's own views. More's book has been seen by some as an attempt to justify colonisation of the Americas, by others as a dreary state of Catholic dogma and by his champions as a proto-communistic vision. The book's very indeterminacy is testament to its constant inventiveness.
Considerable emphasis is given to scientific experimentation, aimed at improving industry, health, and general living conditions. To that end a great laboratory for the natural sciences is operated, and an exhibition hall of science, industry, and the arts offers educational opportunities through scale models of machinery and mural paintings similar to those in the City of the Sun.
The name Raphael, though, may have been chosen by More to remind his readers of the archangel Raphael who is mentioned in the Book of Tobit (3:17; 5:4, 16; 6:11, 14, 16, 18; also in chs. 7, 8, 9, 11, 12). In that book the angel guides Tobias and later cures his father of his blindness. While Hythlodaeus may suggest his words are not to be trusted, Raphael meaning (in Hebrew) "God has healed" suggests that Raphael may be opening the eyes of the reader to what is true. The suggestion that More may have agreed with the views of Raphael is given weight by the way he dressed; with "his cloak... hanging carelessly about him"; a style which Roger Ascham reports that More himself was wont to adopt. Furthermore, more recent criticism has questioned the reliability of both Gile's annotations and the character of "More" in the text itself. Claims that the book only subverts Utopia and Hythlodaeus are possibly oversimplistic.
Utopia is placed in the New World and More links Raphael's travels in with Amerigo Vespucci's real life voyages of discovery. He suggests that Raphael is one of the 24 men Vespucci, in his Four Voyages of 1507, says he left for six months at Cabo Frio, Brazil. Raphael then travels further and finds the island of Utopia, where he spends five years observing the customs of the natives.
Unlike many games, where different songs have different themes for each character or area, Wintory chose to base all of the pieces on one theme which stood for the player and their journey, with cello solos especially representing the player. Wintory describes the music as "like a big cello concerto where you are the soloist and all the rest of the instruments represent the world around you", though he describes it as not necessarily orchestral due to the inclusion of electronic aspects.[28][31] The cello begins the game as "immersed in a sea of electronic sound", before first emerging on its own and then merging into a full orchestra, mirroring the player's journey to the mountain.[32] While the game's art style is based on several different cultures, Wintory tried to remove any overt cultural influences from the music to make it "as universal and culture-less as possible".[28] Tina Guo features as the cellist for the soundtrack. She is a close friend of Wintory and has since performed "Woven Variations" with him, an eight-minute orchestral variation on the Journey soundtrack.[31] All of the non-electronic instruments in the soundtrack were recorded with a live orchestra.[29]
Gorman is President of the Inter-Tribal Indian Ceremonial Governor's Board. The Ceremonial is an annual event held in New Mexico featuring Native music, dance, arts and culture. She is President of Extol Charitable Foundation, an organization dedicated to prevention education on fetal alcohol syndrome. She is also Vice Chair of the Gallup Economic Development and Tourism Commission, as well as a board member of Think First Navajo, a chapter of the national organization Think First, a head and spinal injury prevention program. She is also an advisory board member for College Horizons, a pre-college workshop for Native American students preparing for undergraduate and graduate school.
In George Orwell's 1984 (1949), the society of the year 1984 which Orwell projects for us is based on the assumption that a "limited" nuclear war of the 1950s had left civilization severely crippled and that government controls were seized by well-organized opportunists employing the familiar methods of a police state to maintain power. London, the scene of the novel's action, is the capital of Oceania, one of three superpowers. The other superpowers are called Eastasia and Eurasia. The city of London contains a few enormous government buildings and a small number of fine apartment buildings, but the vast majority of the buildings are eighteenth- or nineteenth-century houses in dilapidated condition which provide shelter for the common people. There are also a good many neglected bombed-out areas. Certainly this is not a picture of somebody's dream city.
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Money has been outlawed, but a substitute means of transacting personal business has been devised. Every individual is given a monthly allowance in the form of a credit card, a kind of punch card, to record his expenditures. This method permits individuals to exercise judgment and taste in the way they like to live. Some will set a better table than others, some acquire a larger house, some will travel extensively, but everyone's allowance is the same.
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Utopia was the book that invented a new genre of fiction. It was the first book to use a made up world, a “Utopia” in its framing. This spawned books and stories that have continued to dominate the industry of storytelling to this day. Books like “The Hunger Games,” and “Divergent” can all trace their origins back to Thomas More's most famous work (Getty 321). More wrote this story to make a point about collectivism, whether in defense or as a criticism of. It could be argued, however, that Utopia's greatest impact could be in its world creation. More was the first to create his idealistic world, and the framework he created has stuck around for hundreds of years (Getty 321).
Utopians do not like to engage in war. If they feel countries friendly to them have been wronged, they will send military aid, but they try to capture, rather than kill, enemies. They are upset if they achieve victory through bloodshed. The main purpose of war is to achieve that which, if they had achieved already, they would not have gone to war over.
There are several religions on the island: moon-worshipers, sun-worshipers, planet-worshipers, ancestor-worshipers and monotheists, but each is tolerant of the others. Only atheists are despised (but allowed) in Utopia, as they are seen as representing a danger to the state: since they do not believe in any punishment or reward after this life, they have no reason to share the communistic life of Utopia, and will break the laws for their own gain. They are not banished, but are encouraged to talk out their erroneous beliefs with the priests until they are convinced of their error. Raphael says that through his teachings Christianity was beginning to take hold in Utopia. The toleration of all other religious ideas is enshrined in a universal prayer all the Utopians recite.
Bergen is on the editorial board of Studies in Conflict & Terrorism, a leading scholarly journal in the field, and has testified before multiple congressional committees about Afghanistan, Pakistan and terrorism issues. He is a member of the Homeland Security Project, a successor to the 9/11 Commission, and also of the Aspen Homeland Security Group. He is the editor of the AfPak Channel, a joint publication of Foreign Policy magazine and the New America Foundation that can be found at www.foreignpolicy.com/afpak. The AfPak Channel was nominated in 2011 for a National Magazine Award for Best Online Department.
There is, of course, nothing new in all of this program, nothing fantastic such as Huxley's "Hatchery and Conditioning Centre." The reader, while he cringes at the horror, keeps repeating to himself, "It can't happen here." Nevertheless, Orwell compels us to recognize not only Nazi devices but also certain telltale symptoms in our own social and political practices that cannot help but undermine our complacency.
Colossus: The Forbin Project (1970) is a science fiction thriller film, which was adapted from the novel "Colossus" by Dennis Feltham Jones. This classic SF movie describes the events that happened when the powerful supercomputer (which controlled military defense capabilities of both Soviet Union and the USA) became sentient and held the entire world as a hostage in its quest to secure world peace.

Categories: 2013 films2010s drama films2010s LGBT-related filmsCantonese-language filmsChinese filmsChinese independent filmsChinese LGBT-related filmsFilms directed by Scud (Danny Cheng Wan-Cheung)Films set in Hong KongGay-related filmsHong Kong filmsHong Kong independent filmsHong Kong LGBT-related filmsLGBT-related drama filmsMale bisexuality in filmMale sexual fluidity in film

Situated near the southern tip of the African continent, Namibia is a vast land brimming with adventure. The nation itself is quite large- about twice the size of California- but is home to only a little over two million inhabitants. With a low population to land ratio, the nation makes a name for itself with the numerous natural attractions that it has to offer, making it a true haven for lovers of the outdoors Namibia is covered in beautiful desert regions, including the Namib Desert, regarded at one of the oldest in the world, as well as lush countryside, plateau regions, and coastal plains of rolling sand dunes, with a subtropical and arid climate.
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