The religious history of the period is a dramatic one. Christianity, which for more than a thousand years had been represented throughout all of Western Europe by one church, the Roman Catholic Church, experienced a tremendous upheaval during the 16th century. The first overt action of revolt came in 1517 when Luther defied the authority of Rome. That marked the beginning of the Protestant Reformation, the consequences of which were that Europe was divided into numerous divergent sects and into warring camps. Actually, all of that turmoil occurred after More wrote his Utopia, but the causes of the Reformation were of long standing and had been a source of concern to conscientious Christians for at least two centuries. Among the principal evils alleged in the attacks against the church were arbitrary exercise of papal authority, greed of the clergy as revealed in the selling of pardons and of church offices, and the traffic in holy relics. Intelligent people were indignant over the propagation of superstitions to anesthetize the common people, and social critics were bitter over the enormous opulence of the church amid the poverty and squalor of the majority of Christians.
No two communities were identical in purpose and operation, but certain aspects of the utopian norm appear frequently. Many of them followed the plan of community of property, equality in sharing labor, community rearing of children, simplicity and uniformity of dress, avoidance of luxury, rigid codes of behavior, pacifism, and a government by selected elders. All of this is obviously reminiscent of More's island commonwealth.

The history of utopian literature is extensive, even if we take the term in the strict sense of a detailed description of a nation or commonwealth ordered according to a system which the author proposes as a better way of life than any known to exist, a system that could be instituted if the present one could be cancelled and people could start over. Before More's 1516 Utopia, the number of elaborately designed utopian commonwealths is small. Most of the writings along these lines are brief and many are misty, nostalgic, backward glances at an imagined primitive life in the "Golden Age." There is, of course, no lack of earlier literature criticizing the status quo. The great outpouring of utopian literature, however, came after More; and it cannot be doubted that his work gave great impetus to the movement.
Another surprising feature is the attitude toward machinery. Several centuries earlier, the Erewhonians had attained a remarkable stage of sophistication in the development of machinery, but through the teachings of a prophet they had been persuaded that machines might some day become masters over men, with the result that they destroyed all of the machinery having any degree of complexity and outlawed any further experimentation in the field. They retained only the simplest kinds of implements — spades and scythes — and horses and wagons.
Minority Report is a movie about a dystopian society in the year of 2054 in Washington D.C. The story is about a "Pre-Crime" police force unit, which revolves around three psychics, "Pre-Cogs", with special power to see into the future and predict crimes. Police manipulates these visions and arrest criminals before the offenses are even committed. Main protagonist, "Pre-Crime" Chief John Anderton (Tom Cruise) has the tables turned on him when he is accused of murder in the future. He must find a way to prove his innocence, for the thing he has yet to do.

Utopians are tolerant of differing views on religion and "on no other subject are they more cautious about making rash pronouncements than on matters concerning religion." (122) However, they scorn unbelievers in any deity or afterlife, and "do not even include in the category of human beings" nor "count him as one of their citizens" if he "should sink so far below the dignity of human nature as to think that the soul dies with the body or that the world is ruled by mere chance and not by prudence." (119) "For who can doubt that someone who has nothing to fear but the law and no hope of anything beyond bodily existence would strive to evade the public laws of his country by secret chicanery or to break them by force in order to satisfy his own personal greed?" (119) "He is universally looked down on as a lazy and spineless character." (119) In fact, "a religious fear of the heavenly beings" is "the greatest and practically the only incitement to virtue." (127)

When development began, Sony expected the game to be completed in a year, rather than the more than three it finally took.[8] Thatgamecompany always expected to need an extension; according to Hunicke, they believed finishing the game within a year was "unrealistic".[9] Development ended up taking even longer than anticipated, as the team had difficulties paring down their ideas for the game and maintaining efficient communication.[9] Over the course of development the team grew from seven to eighteen people.[6][8] At the end of the second year, when Sony's extension had run out, the game did not spark the emotions in the player that the team wanted. Sony agreed to another one-year extension, but development ultimately exceeded even that.[10]
Utopians do not like to engage in war. If they feel countries friendly to them have been wronged, they will send military aid, but they try to capture, rather than kill, enemies. They are upset if they achieve victory through bloodshed. The main purpose of war is to achieve that which, if they had achieved already, they would not have gone to war over.
"Voyage centres on a young psychiatrist (played by Ryo van Kooten) who leaves Hong Kong to embark on a long lone voyage from Hong Kong along the coast of South-East Asia to try to overcome the emotional turmoil he has experienced in his relationships with former clients. While travelling, he tries to come to terms with his experiences by making a detailed record of their stories, and decides to visit those places himself.
One of the most brilliant utopian novels, using a mixture of devastating satire and compelling narrative to both decry the developments of mechanised labour and to show how society might be better run. Terrified by the prospect of machines ruling the future, Butler was essentially suspicious of any model of perfection, mocking people who "really do know what they say they know".
H. G. Wells devotes much of his attention to previews of possible future developments of civilization that are predominantly optimistic. Among the better known of his publications in that field are: The Time Machine (1895), The War of the Worlds (1898), When the Sleeper Awakes (1899), A Modern Utopia (1905), Men Like Gods (1923), and The Shape of Things to Come (1933).
Equality for all mankind is not a realistic goal in Wells's view. That, he believes, would mean a loss of individuality, and individuality is an inherent requirement of human nature. Similarly, competition is necessary to a thriving society. Taking what he considers a practical position, he sees the new society as divided into four classes of persons which he calls poietic, kinetic, dull, and base. There is a leader caste, called Samurai, which is drawn primarily from the poietic group, though some from the kinetic class may qualify. Persons who volunteer for Samurai membership must meet stringent requirements, both physical and mental; and they must pledge to conform to the rules of the caste, which forbid eating meat, smoking, drinking, gambling, and participation in public sports or entertainments. The Samurai furnish the World State with its administrators, legislators, lawyers, doctors, and other leaders. Furthermore, they are the only voters in the commonwealth. The male members of the Samurai are encouraged to marry women of comparable qualifications, and they are encouraged to produce children with the aim of improving the quality of the population. The lower classes of citizens, the dull witted, the criminals, and the deformed are exiled from society and prevented from childbearing.
One highly influential interpretation of Utopia is that of intellectual historian Quentin Skinner.[9] He has argued that More was taking part in the Renaissance humanist debate over true nobility, and that he was writing to prove the perfect commonwealth could not occur with private property. Crucially, Skinner sees Raphael Hythlodaeus as embodying the Platonic view that philosophers should not get involved in politics, while the character of More embodies the more pragmatic Ciceronian view. Thus the society Raphael proposes is the ideal More would want. But without communism, which he saw no possibility of occurring, it was wiser to take a more pragmatic view.
The “Aloha spirit” is universal, and certainly contagious, when you set foot onto the Pacific paradise of Hawaii and the port of Hilo. The small, archipelago state presents a beautiful tapestry of natural sights, including secluded beaches, magnificent waterfalls, and a vast rainforest filled with fauna. Among the extensive list of geographic must-sees is Hilo’s National Volcano Park, home of the most active volcano in the world.
Looking Backward (1888) by Edward Bellamy is the fictional utopian novel that first described the foundations of the socialist movement. In the book, main character becomes transported from the war filled nineteenth century to the peaceful utopian world of twenty-first century. After its release, it quickly became one of the biggest bestsellers of its time, and its influence shaped the works of many future philosophers, novelists, movements and utopian communities.
Looking Backward (1888) by Edward Bellamy, the most successful and influential American author writing in the utopian vein, presents a vision of a glorious future society. Julian West, a young, aristocratic Bostonian, falls asleep under a hypnotic trance in 1887, but through a remarkable set of circumstances, is awakened in the year 2000. His host family in this new age introduces him to their amazing society, explaining their institutions and the rationale for their system.